2012/10/01

Caneças_sequemcia matemática de fotografías



  En nuestro primer acercamiento al terreno donde ejecutaremos el trabajo de ProjectoII este curso, quisimos hacer la mayor captación posible de conceptos a tomar en cuenta en nuestro proceso de proyección.

  Nuestra posición analítica se basaba en dos aspectos existenciales; uno, que somos estudiantes de  intercambio, y dos, que somos estudiantes extranjeros.  Justificamos así el desconocimiento absoluto del entorno tanto del país, como con modelos de trabajo diferentes a los locales.

  Como primera toma de decisión, hemos cuestionado el límite del terreno dado, puesto que se trata de una regeneración del tejido urbano vemos imprescindible que las diferentes actuaciones (eso si) ejecutadas dentro del terreno deben repercutir fuera de él, y para alimentarnos de esa idea la línea maestra que se nos da en el programa debe desaparecer. Junto con esto, el territorio donde se trabaje se definirá de una manera gradual desde el propio límite que descartamos.

  Así pues nuestra visión del terreno se expondrá desde un punto de vista exterior, gradual y sistematizado; con el objetivo de poder llegar a entender el sitio de una manera más fácil y adecuada a nuestra posición expuesta en el segundo párrafo.



  A continuación exponemos los diferentes tópicos o temas que nos llamaron la atención en nuestra visita al lugar. Se nos propone hacer una co-relación conceptual jerarquizada, mediante tema-fotografía. Nosotros aceptamos la necesidad de jerarquizar nuestras sensaciones, pero nuestra propuesta de explicación temática se basará en un orden más dinámico y una “subjetividad-objetivizada”.



Así, proponemos un orden matemático de exposición de sensaciones, cuya agrupación si que sobre-entiende un orden piramidal, pero que al mismo tiempo permite que los subconceptos no se pierdan ni se olviden a lo largo de nuestra captación; permitiendo así que diferentes conceptos se puedan percibir en lugares diferentes del terreno.



Este sistema de definición está pensado para una aplicación objetiva en todo el terreno, planteando así una matriz de ideas que se puede repetir  a lo largo de Caneçes, y que nos ayuda a captar de una manera más exacta los temas aplicables en los siguientes pasos de la regeneración.




Debajo explicamos punto por punto cada tema-subconcepto con su(s) correspondientes fotografías y la geo-localización de los mismos.


 


       Por último, exponemos la síntesis de nuestro método, donde se ven los trayectos que un observador puede hacer a lo largo de Caneças, la vista que tendría y la captación de conceptos-sensaciones que percibiría mediante la representación matemática.


2012/09/19

Emerging Urbanism_Workshop

organization systems


2012/09/09

EXPO_Balenciaga Argitzen_Behin Betiko Panelak


Lamp designs inspired by Cristóbal Balenciaga’s work

Seasonal exhibition by a group of students enrolled at the Higher Technical School of Architecture on the University of the Basque Country’s Gipuzkoa campus (UPV/EHU).
   

By means of architectural analysis of a range of outfits designed by Cristóbal Balenciaga, a total of 16 students have designed and built prototypes for 12 lights which are now on exhibition at the Cristóbal Balenciaga Museum. 

The multifunctional hall in the Cristóbal Balenciaga Museum will show how this project was carried out, as well as the results it has produced, until 30th September 2012. 



  



AA Diploma Honours

The Perpetual Evolution of Production in the City 
Tutor: Eugene Han  
The project is about the coexistence of production within the dense parameters of Shenzhen and the question is how multiple scales of production can coexist and reorganise themselves. It is obvious that China produces most of the world’s products now and Shenzhen became the first Special Economy Zone. The city has suffered from a new urban plan and been transformed by different zoning plans; therefore, the argument suggests marking down on the city and identifying manufacturing hubs through the juxtaposition and overlay of a new system grid for the city.
My argument is that the city is no longer a single system concentrated in one area. The city today operates as a series of supply chains that can be understood as the intercultural property of the city. My proposal is therefore ultimately to be reflected in the architecture of the whole city: not one of a massive factory plans in Shenzhen but rather as a master scheme that integrates with and interacts with the city. To synthesise my project, the argument focuses on how the role of representation of a city can be manifested through its existing systems, and catalysed through a diffused centrality of buildings. In conclusion, my project asks how cities of an emerging nature can represent themselves at the global level through architecture.

2012/09/06

Kowlun Wall-City




Katrina Koutsogianni

2012/08/20

Exposaketa Gasteizeko Udalan


Urte guztian zehar Gasteizen inguruan egindako lanak erakusteko asmoz hainbat panel konposatu behar izan dira, hauek jendaurrean ezarri ahal izateko. Bertako udalarekin kolaborazioan, garapen bidean dauden edo erantzun baten beharra duten gaiak aztertu eta landu dira kurtsoan zehar. Lan guztien artean hainbat izan dira aukeratuak:

1. Vitoria-Gasteiz UDALERRIA _ MENDIALDEA (Uribarri Nagusia)

Taldekideak: Ane Miren Altuna, Ane Meaza, Xabier Polledo, Irene San Sebastian

Proiektu honen helburua Gasteiz udalerriaren barnean aurki daitezken herrixkei erantzun bat ematean datza, herri hauek beren izaera berreskuratzeaz gain, bizitza herri hauetara bueltatu dadin. Horregatik, bide sistema berri bat da proposatzen dena, herriak hirira gerturatu eta hiria herrietara joan ahal izateko. Gasteizko lautadak duen aberastasun hidrologikoan oinarritzen den sistema izanik, bideak ziurtatzeaz gain, bestelako ekintzak garatzeko bide ere ematen du.
Sistema udalerri osora zabaldu badaiteke ere, Gasteiz-Uribarri Nagusia ardatza da jorratu eta xehatu dena, Santo Tomas errekaren ertzetan.


2. URIBARRI-NAGUSIA // ULIBARRI DE LOS OLLEROS

Taldekideak: Xabier Polledo, Irene San Sebastian

Gasteizko eraikuntza metodoak eta tradizioak errespetatuz, herrixkak beharren arabera handitzen jarraitzeko KATALOGO bat landu da. Denen eskura dauden eraikuntza teknikak garatuz eta material berrerabili zein eskura errezak erabiliz, dauden eraikinetan gehigarriak eranstea zein eraikin berriak altxatzea ahalbidetzen da. Erabilera desberdinei erantzun egoki bat ematea lortu da, estetika zaindu eta uniforme baten bitartez, herrixken izaera mantendu eta kohexionatuz.
Katalogoak erantzun pertsonalizatuak ematea helburu badu ere, Uribarri Nagusia oinarri hartuz, herri honetara egokitutako hainbat eraikinen proposamena egin da, katalogoak lekura egokitzeko duen gaitasuna erakutsiz.


3. VITORIA-GASTEIZ _ Santa Maria Kalea

Taldekideak: Xabier Polledo, Irene San Sebastian

Proiektuaren lehen helburua eraikin multifuntzional bat egitea bazen ere, Gasteizko alde zaharraren analisiak tontorraren eraberritze beharra azpimarratzen du. Hori dela eta, jarduera plan bat garatu da, beharrak eta egin beharrak zehaztu eta aktuazio orden bat ezartzeko. Aktuazioak, publiko zein pribatuak, garatzeko teknika bat ere proposatuz, Gasteiz itsuraldatu eta alde zaharrari aukera berriak eman nahi zaizkio, aldi berean etorkizunean bere garapena eta bizitza berreskuratuz.


2012/08/16

Cloudscape workshop


2011 urtean egindako ariketa teoriko bat aurkeztu nahi dot oraingoan, Cloudscape lehiaketarentzako egindako ariketa.
Helburua: fatxada sistema baten diseinua.
Baldintza: sistema seriekoa eta gutxienez pauta ekologikoren bat izan behar dau.

Proposamena
habiapuntua edozein eraikineri aplikagarria dan sistema egitea zan, hala errestaurorako nola eraikin barrientzako. Eraikuntza sistema ohial horman datza, eraikinaren egituratik aparte dagoen fatxada baten txertakuntzan. Oinarria arkitektura tradizionalak aldaketa klimatikoen aurrean lan egiteko modua da, eta energia berrerabilgarriez eta teknologiaz osatu da. Moduloa 3 zatitan banatzen da, forjatuen estalkia, lehioa eta lehio azpia. Modulo mota ezberdinak azpi-zati honeetan banatzen dira. Beraz, fatxada egokia lortzea bezeroarengan egongo da: orientazioa, barne erabilera eta kanpoko giroaren kalitatea kontutan hartuko dau eta modulo-zati ezberdinen arteko konbinaketa aproposena aukeratuko dau. Jasangarritasunaren alde jotzearren material nagusitzat egurra jo da eta muntatzeko erraza izatea erabaki da.

Fatxadaren akabera beraz malgua eta tokikoa izango da, moduloaren definizio desberdinen konbinaketek definituko dabe beraz. Hiru multzotan banatuz:
_Barne espazioen kalitatea: aireztapen moguloa, askotariko lehio moduloa, argiztapen babes moduloa.
_Kanpo espazioen kalitatea: fatxada berde moduloa.
_Energia Berriztapena: eguzki panel moduloa.



Architectural Association School of Architecture of London


PROCESSING ENVIRONMENTS SYMPOSIUM / GUGGENHEIM MUSEUM BILBAO

The growing consciousness that a building is a device that performs primarily as an environmental regulator is shifting the focus of the discipline from tectonics to social and ecological processes: buildings establish the regime of energy exchange of the built environment by virtue of their geometry, their materiality etc… and therefore there is an opportunity to establish relationships between these performances and emerging architectural sensibilities and expressions.

Within these lines, the symposium will embrace and extended notion of environment by looking at the work of international architects, artists as well as research directors of recognised international institutions. Moreover, the symposium will tease out speculative directions for architecture that move beyond reductive approaches to ecology, as in “green” notions. The discussion will aim to bring together the work of practitioners and researchers to unveil novel and alternative methods of engaging, interacting and perceiving the environment from social, ecological and material perspectives.

Symposium participants:
Guggenheim Museum Bilbao introduction
Bilbao Town Hall introduction
Inaki Begiristain ETSASS
Eva Castro + Alfredo Ramirez (Groundlab)
Cristina Díaz Moreno + Efrén García Grinda
Juan Herreros
Toni Kotnik
Gramazio & Kohler
Marjetica Potrc (Guggenheim Guest)
Philippe Rahm (Institut Francais Guest)
Douglas Spencer
Alejandro Zaera-Polo



COMPUTING TOPOS WORKSHOP / ALHONDIGA BILBAO

BRIEF
The workshop will explore the question of ‘place’ or ‘topos’ and its radical transformation in the recent years due to the proliferation and availability of environmental parameters. Departing from the notion of ‘computing,’ understood as information processing, strategies of ‘data mining’ and ‘indexing’ will be proposed as sensible readings of the site and the territory.

The workshop aims at bringing together design strategies and the critical utilization of both local and global, material and virtual, visible and invisible information of the place. To build upon new operational platforms of environmental readings, the proposals will work on the diagram and the indexing, as opposed to dissociated parametric strategies.

Sites will be chosen from residual areas in complex topographies generated by the insertion of massive infrastructural tissues in the territory. Many have referred to these places as by-product of the era of globalization, and as a result they have often appeared coupled with new constructions that have been virally spread accross the territory in the last 40 years or so. These spaces that are neither private nor public but ‘common’ are identified as potentially interesting to engage with the contemporary urban ecologies. Departing from this ‘generic’ typological condition and by integrating ‘extended’ environmental data obtained from the specificities of the site will build towards the notion of:

TOPOS- Place

The breeding of local environmental parameters will generate new forms of architectural agency and expression. Diverse mechanisms will be used to materialize ‘invisible’ information such as environmental and social conditions, users’ preferences, digital information, etc. The capture of ‘local’ data will be done through the use of sensors, site specific simulations and rss feeds which will be used to capture information in the ‘network’. The workshop will provide the students with technical support to use microprocessors and sensing technologies. Each team will be looking at one main environmental parameter, in its broader sense, such as sun light, programmatic densification, urban flux, users’ data collected from urban behavioural patterns, potential energetic consumption/production, etc to synthesize ‘Datascapes’ that will feed into the projects. These ‘Datascapes’ will be built from the following devices, software and strategies:

Sensors > Arduino
Data mining > Processing
Indexing- Rhinoceros (Plug in: Grasshopper)
Environmental simulations: Maya/ Land desktop/ Ansys / Ecotech

The students will be given different sites for each team to look at a relevant site-specific variable. These variables will intertwine with a common programmatic allocation: productive spaces. The material translation of these data will frame the question of COMPUTING through the localization of global ‘types’:

COMPUTING- Processing data

The outcome will be a result of the site-specific programmatic and volumetric architectural proposal. For instance, the team that will be looking at the parameter of density will explore vertical developments to maximize the productivity of the site; the team that is looking at the sun light parameter will be looking at an architectural expression that tries to maximize solar exposure.

Rhinoceros- (Plug ins: Grasshoper, Grasshoper vb script, Kangaroo, Galapagos, etc)
Digital fabrication techniques (3D printing, CNC, lasercutting, robotic constructions, etc)

EXERCISES- Scope of the projects to be developed in the workshop
The exercises will be developed at the following landscape scales:

A > Productive Landscape_ Design process fed by environmental and inhabitants’ parameters.
B > Landscape components_ Automated Fabrication process design fed by environmental and inhabitants’ parameters.